That one trick of writing your villain's internal monologue first fixed my whole plot hole problem
After staring at a dead chapter for three weeks I wrote my antagonist's secret fears and motivations longhand and suddenly my hero's choices made sense almost immediately, has anyone else tried flipping the perspective like that?
Yeah @jamief67 that "making the bad guy feel real" part is interesting. I actually wonder if flipping it inside out made me see the bad guy as more human but also more terrifying. Like suddenly they weren't just a cartoon villain anymore, they had real reasons and that's scarier.